The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart (1756–91) which was originally created by Ludwig von Köchel. It is abbreviated K or KV. For example, Mozart's Requiem in D minor was, according to Köchel's counting, the 626th piece Mozart composed. Thus, the piece is designated K. 626 or KV 626. Köchel catalogue numbers not only attempt to establish chronology, but also give a helpful shorthand to refer to Mozart's works.
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In the decades after Mozart's death there were several attempts to catalogue his compositions, but it was not until 1862 that Ludwig von Köchel succeeded. Köchel's 551-page catalogue was titled Chronologisch-thematisches Verzeichnis sämmtlicher Tonwerke W. A. Mozart's (Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart).[1] The catalogue included the opening bars of each piece, known as an incipit.
Köchel attempted arranging the works in chronological order, but the compositions written before 1784 could only be estimated. Since Köchel's work, many more pieces have been found, re-attributed, and re-dated, requiring three catalogue revisions. These revisions, especially the third edition by Alfred Einstein (1937), and the sixth edition by Franz Giegling, Gerd Sievers, and Alexander Weinmann (1964), incorporated many corrections.
Edition | Year | Editors | Note |
---|---|---|---|
1. | 1862 | Ludwig von Köchel | Original |
2. | 1905 | Paul von Waldersee | |
3. | 1937 | Alfred Einstein | |
4. | 1958 | Alfred Einstein | unchanged reprint |
5. | 1961 | Alfred Einstein | unchanged reprint |
6. | 1964 | Franz Giegling, Gerd Sievers, Alexander Weinmann | |
7. | 1965 | Franz Giegling, Gerd Sievers, Alexander Weinmann | unchanged reprint |
8. | 1983 | Franz Giegling, Gerd Sievers, Alexander Weinmann | unchanged reprint |
To maintain as much of the original K-numbering of the list, while re-ordering in the revised, chronological sequence, letters were added to the new numbers. The following list shows Köchel's original designation (K1) and the sixth edition (K6). Other addenda and supplements to the catalogue are marked Anhang.
K1 | K6 | Composition | Date | Place |
---|---|---|---|---|
1a | Andante in C for Keyboard | Early 1761 | Salzburg | |
1b | Allegro in C for Keyboard | Early 1761 | Salzburg | |
1c | Allegro in F for Keyboard | 11 December 1761 | Salzburg | |
1d | Minuet in F for Keyboard | 16 December 1761 | Salzburg | |
1 | 1e | Minuet in G for Keyboard | December 1761 – January 1762 | Salzburg |
1 | 1f | Minuet in C for Keyboard | December 1761 – January 1762 | Salzburg |
6 | 6 | Sonata in C for Violin and Keyboard | 1762–1764 | Salzburg or Paris |
7 | 7 | Sonata in D for Violin and Keyboard | 1762–1764 | Salzburg or Paris |
2 | 2 | Minuet in F for Keyboard | January 1762 | Salzburg |
3 | 3 | Allegro in B-flat for Keyboard | 4 March 1762 | Salzburg |
4 | 4 | Minuet in F for Keyboard | 11 May 1762 | Salzburg |
5 | 5 | Minuet in F for Keyboard | 5 July 1762 | Salzburg |
5a | Allegro in C for Keyboard | Summer 1763 | ||
8 | 8 | Sonata in B-flat for Violin and Keyboard | 1763–1764 | Paris |
9 | 9 | Sonata in G for Violin and Keyboard | 1763–1764 | Paris |
10 | 10 | Sonata in B-flat for Harpsichord, Violin (Flute) and Cello | 1764 | London |
11 | 11 | Sonata in G for Harpsichord, Violin (Flute) and Cello | 1764 | London |
12 | 12 | Sonata in A for Harpsichord, Violin (Flute) and Cello | 1764 | London |
13 | 13 | Sonata in F for Harpsichord, Violin (Flute) and Cello | 1764 | London |
14 | 14 | Sonata in C for Harpsichord, Violin (Flute) and Cello | 1764 | London |
15 | 15 | Sonata in B-flat for Harpsichord, Violin (Flute) and Cello | 1764 | London |
16 | 16 | Symphony in E-flat, No. 1 | 1764 | London |
19 | 19 | Symphony in D, No. 4 | 1765 | London |
Anh. 223 | 19a | Symphony in F | c. 1765 | London? |
21 | 19c | Aria for tenor and orchestra, "Va, dal furor portata" | 1765 | London |
15a – 15ss | 44 Untitled Pieces, "London Sketchbook" | 1765 | London | |
19d | Sonata in C for Keyboard Four-hands | May 1765 | London | |
20 | 20 | Motet in G minor, "God is Our Refuge" | July 1765 | London |
23 | 23 | Aria for soprano and orchestra "Conservati fedele" | October 1765 | The Hague |
22 | 22 | Symphony in B-flat, No. 5 | December 1765 | The Hague |
Anh. 220 | 16a | Symphony in A minor, Odense | Late 1760s | Salzburg? |
78 | 73b | Aria for Soprano, "Per pietà, bell'idol mio" | c. 1766 | |
79 | 73d | Recitative and Aria for Soprano, "O temerario Arbace" | c. 1766 | |
24 | 24 | 8 Variations in G on "Laat ons Juichen" | January 1766 | The Hague |
Anh. 221 | 45a | Symphony in G, Alte Lambach | Late 1765 – early 1766 | The Hague |
25 | 25 | 7 Variations in D on "Willem van Nassau" | February 1766 | Amsterdam |
26 | 26 | Sonata in E-flat for Violin and Keyboard | February 1766 | The Hague |
27 | 27 | Sonata in G for Violin and Keyboard | February 1766 | The Hague |
28 | 28 | Sonata in C for Violin and Keyboard | February 1766 | The Hague |
29 | 29 | Sonata in D for Violin and Keyboard | February 1766 | The Hague |
30 | 30 | Sonata in F for Violin and Keyboard | February 1766 | The Hague |
31 | 31 | Sonata in B-flat for Violin and Keyboard | February 1766 | The Hague |
32 | 32 | Gallimathias Musicum (Quodlibet) | March 1766 | The Hague |
33 | 33 | Kyrie in F | 12 June 1766 | Paris |
33b | Piece in F for Keyboard | October 1766 | Zurich | |
36 | 33i | Recitative and aria for tenor and orchestra, "Or che il dover – Tali e cotanti sono" | December 1766 | Salzburg |
70 | 61c | Recitative and Aria for Soprano, "A Berenice" | c. December 1766 | Salzburg |
76 | 42a | Symphony in F, "No. 43" | c. 1767 | Vienna |
43 | 43 | Symphony in F, No. 6 | 1767 | Olomouc and Vienna |
62 | 62 | March in D | 1767 | Salzburg |
34 | 34 | Offertory in C, "Scande coeli limina" | Early 1767 | |
35 | 35 | Die Schuldigkeit des ersten Gebots | Early 1767 | Salzburg |
42 | 35a | Grabmusik | 1767 | Salzburg |
37 | 37 | Concerto in F for Piano, No. 1 | April 1767 | Salzburg |
38 | 38 | Apollo et Hyacinthus | 13 May 1767 | Salzburg |
39 | 39 | Concerto in B-flat for Piano, No. 2 | June 1767 | Salzburg |
40 | 40 | Concerto in D for Piano, No. 3 | July 1767 | Salzburg |
41 | 41 | Concerto in G for Piano, No. 4 | July 1767 | Salzburg |
Anh. 214 | 45b | Symphony in B-flat, "No. 55" | c. 1768 | Vienna? |
45 | 45 | Symphony in D, No. 7 | 16 January 1768 | Vienna |
46d | Sonata in C for Violin | 1 September 1768 | Vienna | |
46e | Sonata in F for Violin | 1 September 1768 | Vienna | |
47 | 47 | Veni Sancte Spiritus in C | Autumn 1768 | Vienna |
139 | 47a | Missa solemnis in C minor, "Waisenhaus" | Autumn 1768 | Vienna |
47c | Concerto for Trumpet (lost) | Autumn 1768 | Vienna | |
53 | 47e | Song, "An die Freude" | Autumn 1768 | Vienna |
49 | 47d | Missa brevis in G | October – November 1768 | Vienna |
50 | 46b | Bastien und Bastienne | September – October 1768 | Vienna |
48 | 48 | Symphony in D, No. 8 | 13 December 1768 | Vienna |
100 | 62a | Cassation in D | 1769 | Salzburg |
63 | 63 | Cassation in G | 1769 | Salzburg |
99 | 63a | Cassation in B-flat | 1769 | Salzburg |
117 | 66a | Offertory in C, "Benedictus sit Deus" | 1769 | Salzburg |
Anh. 215 | 66c | Symphony in D | c. 1769 | Salzburg? |
Anh. 217 | 66d | Symphony in B-flat | c. 1769 | Salzburg? |
Anh. 218 | 66e | Symphony in B-flat | c. 1769 | Salzburg? |
94 | 73h | Minuet in D | 1769 | Salzburg |
65 | 61a | Missa brevis in D minor | 14 January 1769 | Salzburg |
61b | 7 Minuets | 26 January 1769 | Salzburg | |
51 | 46a | La finta semplice | 1 May 1769 | Vienna |
66 | 66 | Missa in C, "Dominicus" | October 1769 | Salzburg |
141 | 66b | Te Deum in C | End 1769 | Salzburg |
84 | 73q | Symphony in D, No. 11 | 1770 | Milan or Bologna |
74 | 74 | Symphony in G, No. 10 | 1770 | Milan |
61g | 2 Minuets | Early 1770 | Salzburg | |
88 | 73c | Aria for Soprano, "Fra cento affanni" | February – March 1770 | Milan |
77 | 73e | Recitative and Aria for Soprano, "Misero me" | March 1770 | Milan |
80 | 73f | Quartet in G for Strings | 15 March 1770 | Lodi |
81 | 73l | Symphony in D, "No. 44" | April 1770 | Rome |
97 | 73m | Symphony in D, "No. 47" | April 1770 | Rome |
95 | 73n | Symphony in D, "No. 45" | April 1770 | Rome |
123 | 73g | Contredanse in B-flat | 13–14 April 1770 | Rome |
82 | 73o | Aria for Soprano, "Se ardire, e speranza" | 25 April 1770 | Rome |
83 | 73p | Aria for Soprano, "Se tutti i mali miei" | April – May 1770 | Rome |
85 | 73s | Miserere in A minor | July – August 1770 | Bologna |
122 | 73t | Minuet in E-flat | c. August 1770 | Bologna |
86 | 73v | Antiphon in D minor, "Quaerite primum regnum Dei" | 9 October 1770 | Bologna |
87 | 74a | Mitridate, re di Ponto | 26 December 1770 | Bologna and Milan |
104 | 61e | 6 Minuets | Late 1770 – early 1771 | Salzburg |
74b | Aria for Soprano, "Non curo l'affetto" | Early 1771 | Milan or Pavia | |
75 | 75 | Symphony in F, "No. 42" | 1771 | Salzburg |
108 | 74d | Regina Coeli in C | May 1771 | Salzburg |
109 | 74e | Litaniae Lauretanae B.M.V. in B-flat | May 1771 | Salzburg |
72 | 74f | Offertory in G, "Inter natos mulierum" | May – June 1771 | Salzburg |
118 | 74c | Betulia liberata | March – July 1771 | Italy and Salzburg |
110 | 75b | Symphony in G, No. 12 | July 1771 | Salzburg |
96 | 111b | Symphony in C, "No. 46" | October – November 1771 | Milan |
111 | 111 | Ascanio in Alba | 17 October 1771 | Milan |
120 | 111a | Finale of a Symphony in D (Ascanio in Alba) | October – November 1771 | Milan |
113 | 113 | Divertimento in E-flat | November 1771 | Milan |
112 | 112 | Symphony in F, No. 13 | 2 November 1771 | Milan |
114 | 114 | Symphony in A, No. 14 | 30 December 1771 | Salzburg |
73i | Canon in A for 4 or 5 voices in 1 | 1772 | ||
89 | 73k | Kyrie in G for 5 voices in 1 | 1772 | Rome? |
73r | 4 Riddle Cannons | 1772 | ||
73x | 14 Canonic Studies | 1772 | ||
107 | 107 | 3 Concertos for Piano after J.C. Bach | 1772 | Salzburg |
67 | 41h | Church Sonata in E-flat major | 1772 | Salzburg |
68 | 41i | Church Sonata in B major | 1772 | Salzburg |
69 | 41k | Church Sonata in D | 1772 | Salzburg |
90 | 90 | Kyrie in D minor | 1772 | |
136 | 125a | Divertimento in D | Early 1772 | Salzburg |
137 | 125b | Divertimento in B-flat | Early 1772 | Salzburg |
138 | 125c | Divertimento in F | Early 1772 | Salzburg |
124 | 124 | Symphony in G, No. 15 | 21 February 1772 | Salzburg |
125 | 125 | Litaniae de venerabili altaris sacramento in B-flat | March 1772 | Salzburg |
103 | 61d | 19 Minuets | Spring – summer 1772 | Salzburg |
126 | 126 | Il sogno di Scipione | May 1772 | Salzburg |
127 | 127 | Regina coeli in B-flat | May 1772 | Salzburg |
128 | 128 | Symphony in C, No. 16 | May 1772 | Salzburg |
129 | 129 | Symphony in G, No. 17 | May 1772 | Salzburg |
130 | 130 | Symphony in F, No. 18 | May 1772 | Salzburg |
73 | 73 | Symphony in C, No. 9 | Early summer 1772 | Salzburg |
381 | 123a | Sonata in D for Keyboard Four-Hands | Mid 1772 | Salzburg |
164 | 130a | 6 Minuets | June 1772 | Salzburg |
131 | 131 | Divertimento in D | June 1772 | Salzburg |
290 | 167AB | March in D | Summer 1772 | Salzburg |
132 | 132 | Symphony in E-flat, No. 19 | July 1772 | Salzburg |
133 | 133 | Symphony in D, No. 20 | July 1772 | Salzburg |
134 | 134 | Symphony in A, No. 21 | August 1772 | Salzburg |
149 | 125d | "Ich hab es längst gesagt", song | ||
150 | 125e | "Was ich in Gedanken küsse", song | ||
151 | 125f | "Ich trachte nicht nach solchen Dingen", song | ||
152 | 210a | "Ridente la calma", aria (canzonetta) for voice and piano (doubtful) | 1772–1775 | |
153 | 375f | Two fragments of a fugue in E-flat major | ||
154 | 385k | Fragment of a fugue in G minor | ||
155 | 134a | Quartet (Divertimento) in D for Strings | October – November 1772 | Bozen and Verona |
156 | 134b | Quartet in G for Strings | End 1772 | Milan |
135 | 135 | Lucio Silla | 26 December 1772 | Salzburg and Milan |
140 | Anh. C1.12 | Missa brevis in G | c. 1773 | Salzburg? |
205 | 167A | Divertimento in D | c. 1773 | Salzburg |
157 | 157 | Quartet in C for Strings | End 1772 – early 1773 | Milan |
158 | 158 | Quartet (Divertimento) in F for Strings | End 1772 – early 1773 | Milan |
165 | 158a | Motet in F for Soprano, "Exsultate, jubilate" | January 1773 | Milan |
159 | 159 | Quartet (Divertimento) in B-flat for Strings | Early 1773 | Milan |
160 | 159a | Quartet in E-flat for Strings | Early 1773 | Milan |
186 | 159b | Divertimento in B-flat | March 1773 | Milan |
166 | 159d | Divertimento in E-flat | 24 March 1773 | Salzburg |
184 | 161a | Symphony in E-flat, No. 26 | 30 March 1773 | Salzburg |
199 | 161b | Symphony in G, No. 27 | 10 April 1773 | Salzburg |
162 | 162 | Symphony in C, No. 22 | 19 April 1773 | Salzburg |
181 | 162b | Symphony in D, No. 23 | 19 May 1773 | Salzburg |
167 | 167 | Missa in C, "Trinitatis" | June 1773 | Salzburg |
188 | 240b | Divertimento in C | Mid 1773 | Salzburg |
185 | 167a | Serenade in D, "Andretter" | July – August 1773 | Vienna |
189 | 167b | March in D | July – August 1773 | Vienna |
168 | 168 | Quartet in F for Strings | August 1773 | Vienna |
169 | 169 | Quartet in A for Strings | August 1773 | Vienna |
170 | 170 | Quartet in C for Strings | August 1773 | Vienna |
171 | 171 | Quartet in E-flat for Strings | August 1773 | Vienna |
172 | 172 | Quartet in B-flat for Strings | c. September 1773 | Vienna |
173 | 173 | Quartet in D minor for Strings | September 1773 | Vienna |
180 | 173c | 6 Variations in G on "Mio caro Adone" from La fiera di Venezia by Antonio Salieri | Autumn 1773 | Vienna |
182 | 173dA | Symphony in B-flat, No. 24 | 3 October 1773 | Salzburg |
183 | 173dB | Symphony in G minor, No. 25 | 5 October 1773 | Salzburg |
143 | 73a | Motet for Soprano in G, "Ergo interest" | Late 1773 | Salzburg |
174 | 174 | Quintet in B-flat for Strings | December 1773 | Salzburg |
175 | 175 | Concerto in D for Piano, No. 5 | December 1773 | Salzburg |
176 | 176 | 16 Minuets | December 1773 | Salzburg |
315g | 8 Minuets | Lat 1773 | Salzburg | |
144 | 124a | Church Sonata in D | 1774 | Salzburg |
145 | 124b | Church Sonata in F | 1774 | Salzburg |
161/163 | 141a | Symphony in D, "No. 50" | 1773–74 | Salzburg |
358 | 186c | Sonata in B-flat for Keyboard Four-Hands | Late 1773 – early 1774 | Salzburg |
201 | 186a | Symphony in A, No. 29 | 6 April 1774 | Salzburg |
195 | 186d | Litaniae Lauretanae BVM in D | May 1774 | Salzburg |
202 | 186b | Symphony in D, No. 30 | 5 May 1774 | Salzburg |
190 | 186E | Concertone for 2 Violins and Orchestra in C major | 31 May 1774 | Salzburg |
179 | 189a | 12 Variations in C on a Minuet by Fischer | Summer 1774 | Salzburg |
191 | 186e | Concerto in B-flat for Bassoon | 4 June 1774 | Salzburg |
192 | 186f | Missa Brevis in F major | 24 June 1774 | Salzburg |
193 | 186g | Dixit Dominus, Magnificat in C | July 1774 | Salzburg |
203 | 189b | Serenade in D, "Colloredo" | August 1774 | Salzburg |
237 | 189c | March in D | August 1774 | Salzburg |
194 | 186h | Missa brevis in D' | 8 August 1774 | Salzburg |
200 | 189k | Symphony in C, No. 28 | 17 (or 12) November 1774 (or 1773) | Salzburg |
121 | 207a | Finale of a Symphony (La finta giardiniera) | End 1774 – early 1775 | Salzburg |
220 | 196b | Missa brevis in C, "Spatzen" | 1775–1776 | |
279 | 189d | Sonata in C for Keyboard | Early 1775 | Munich |
280 | 189e | Sonata in F for Keyboard | Early 1775 | Munich |
281 | 189f | Sonata in B-flat for Keyboard | Early 1775 | Munich |
282 | 189g | Sonata in E-flat for Keyboard | Early 1775 | Munich |
283 | 189h | Sonata in G for Keyboard | Early 1775 | Munich |
292 | 196c | Duo in B-flat for Bassoon and Cello | Early 1775 | Munich |
222 | 205a | Offertory in D minor, "Misericordias Domini" | Early 1775 | Munich |
196 | 196 | La finta giardiniera | 13 January 1775 | Salzburg |
284 | 205b | Sonata in D for Keyboard, "Dürnitz" | February – March 1775 | Munich |
207 | 207 | Concerto in B-flat for Violin | 14 April 1775 | Salzburg |
208 | 208 | Il re pastore | 23 April 1775 | Salzburg |
210 | 210 | Aria for Tenor, "Con ossequio, con rispetto" | May 1775 | Salzburg |
209 | 209 | Aria for Tenor, "Si mostra la sorte" | 19 May 1775 | Salzburg |
262 | 246a | Missa longa in C' | June or July 1775 | Salzburg |
211 | 211 | Concerto in D for Violin | 14 June 1775 | Salzburg |
212 | 212 | Church Sonata in B-flat | July 1775 | Salzburg |
213 | 213 | Divertimento in F | July 1775 | Salzburg |
215 | 213b | March in D | August 1775 | Salzburg |
102 | 213c | Finale of a Symphony in C (Il re pastore) | April and August 1775 | Salzburg |
204 | 213a | Serenade in D | 5 August 1775 | Salzburg |
214 | 214 | March in C | 20 August 1775 | Salzburg |
216 | 216 | Concerto in G for Violin, "Straßburg" | 12 September 1775 | Salzburg |
218 | 218 | Concerto for Violin in D | October 1775 | Salzburg |
217 | 217 | Aria for Soprano, "Voi avete un cor fedele" | 26 October 1775 | Salzburg |
258 | 258 | Missa brevis in C, "Spaur" | December 1775 | Salzburg |
259 | 259 | Missa brevis in C, "Organ Solo" | December 1775 or 1776 | Salzburg |
219 | 219 | Concerto for Violin in A, "Turkish" | 20 December 1775 | Salzburg |
147 | 125g | Song, "Wie unglücklich bin ich nit" | c. 1772 | Salzburg |
148 | 125h | Song, "Lobegesang auf die feierliche Johannisloge" | c. 1775–1776 | Salzburg |
261 | 261 | Adagio in E for Violin | 1776 | Salzburg |
269 | 261a | Rondo in B-flat for Violin | 1776 | Salzburg |
238 | 238 | Concerto in B-flat for Piano, No. 6 | January 1776 | Salzburg |
239 | 239 | Serenata notturna in D | January 1776 | Salzburg |
240 | 240 | Divertimento in B-flat | January 1776 | Salzburg |
252 | 240a | Divertimento in E-flat | Early 1776 | Salzburg |
241 | 241 | Church Sonata in G | January 1776 | Salzburg |
101 | 250a | 4 Contredanses, "Serenade" | c. early 1776 | Salzburg |
269b | 4 Contredanses | c. early 1776 | Salzburg | |
242 | 242 | Concerto in F for three pianos, No. 7, "Lodron" | February 1776 | Salzburg |
243 | 243 | Litaniae de venerabili altaris sacramento in E-flat | March 1776 | Salzburg |
244 | 244 | Church Sonata in F | April 1776 | Salzburg |
245 | 245 | Church Sonata in D | April 1776 | Salzburg |
246 | 246 | Concerto in C for Piano, No. 8, "Lützow" | April 1776 | Salzburg |
247 | 247 | Divertimento in F, "Lodron" | June 1776 | Salzburg |
248 | 248 | March in F | June 1776 | Salzburg |
260 | 248a | Offertory in D, "Venite populi" | Mid 1776 | Salzburg |
250 | 248b | Serenade in D, "Haffner" | June 1776 | Salzburg |
251 | 251 | Divertimento in D (No. 11) | July 1776 | Salzburg |
249 | 249 | March in D, "Haffner" | 20 July 1776 | Salzburg |
253 | 253 | Divertimento in F | August 1776 | Salzburg |
254 | 254 | Divertimento (Trio) in B-flat | August 1776 | Salzburg |
255 | 255 | Recitative and Aria for Alto, "Ombra felice" | September 1776 | Salzburg |
256 | 256 | Aria for Tenor, "Clarice cara mia sposa" | September 1776 | Salzburg |
257 | 257 | Missa in C, "Credo" | November 1776 | Salzburg |
263 | 263 | Church Sonata in C | December 1776 | Salzburg |
274 | 271d | Church Sonata in G | 1777 | Salzburg |
289 | 271g | Divertimento in E-flat | c. 1777 | Salzburg? |
271i | Violin Concerto in D (K3: 271a; possibly authentic) | c. 1777—78 | Salzburg or Paris? | |
277 | 272a | Offertory in F, "Alma Dei creatoris" | 1777 | Salzburg |
286 | 269a | Notturno in D for Four Orchestras (Serenade No. 8) | December 1776 – January 1777 | Salzburg |
270 | 270 | Divertimento in B-flat | January 1777 | Salzburg |
271 | 271 | Concerto in E-flat for Piano, No. 9, "Jeunehomme" | January 1777 | Salzburg |
267 | 271c | 4 Contredanses | Early 1777 | Salzburg |
266 | 271f | Trio in B-flat | Early 1777 | Salzburg |
278 | 271e | Church Sonata in C | March – April 1777 | Salzburg |
287 | 271H | Divertimento in B-flat, "Lodron" | June 1777 | Salzburg |
272 | 272 | Recitative and Aria for Soprano, "Ah, lo previdi" | August 1777 | Salzburg |
273 | 273 | Gradual in F, "Sancta Maria, mater Dei" | 9 September 1777 | Salzburg |
275 | 272b | Missa brevis in B-flat | Late 1777 | Salzburg |
395 | 300g | Capriccio in C for Keyboard | October 1777 | Munich |
309 | 284b | Sonata in C for Keyboard | October – November 1777 | Mannheim |
311 | 284c | Sonata in D for Keyboard | November 1777 | Mannheim |
285 | 285 | Quartet in D major for Flute, Violin, Viola and Cello | 25 December 1777 | Mannheim |
307 | 284d | Arietta in C, "Oiseaux, si tous les ans" | Winter 1777–1778 | Mannheim |
313 | 285c | Concerto in G for Flute | Early 1778 | Mannheim |
314 | 285d | Concerto in C for Oboe / Concerto in D for Flute | Early 1778 | Mannheim |
301 | 293a | Sonata in G for Violin and Keyboard | Early 1778 | Mannheim |
302 | 293b | Sonata in E-flat for Violin and Keyboard | Early 1778 | Mannheim |
303 | 293c | Sonata in C for Violin and Keyboard | Early 1778 | Mannheim |
305 | 293d | Sonata in A for Violin and Keyboard | Early 1778 | Mannheim |
308 | 295b | Arietta, "Dans un bois solitaire" | Winter 1777–1778 | Mannheim |
285a | Quartet in G major for Flute, Violin, Viola and Cello | January – February 1778 | Mannheim | |
294 | 294 | Recitative and Aria for Soprano, "Alcandro, lo confesso" | 24 February 1778 | Mannheim |
295 | 295 | Aria for Tenor, "Se al labbro mio non credi" | 27 February 1778 | Mannheim |
295a | Recitative and Aria for Soprano, "Basta, vincesti" | 27 February 1778 | Mannheim | |
296 | 296 | Sonata for Violin and Keyboard in C | 11 March 1778 | Mannheim |
354 | 299a | 12 Variations for Piano on "Je suis Lindor" | Early 1778 | Paris |
300 | 300 | Gavotte | c. early 1778 | Paris |
297b Anh. 9 |
Anh. C14.01 | Sinfonia Concertante for Four Winds in E-flat major (doubtful; later arrangement of genuine Mozart work?) |
?April 1778 | Paris? |
299 | 297c | Concerto for Flute and Harp in C | April 1778 | Paris |
Anh. 10 | 299b | Ballet, Les petits riens | May – June 1778 | Paris |
297 | 300a | Symphony in D, No. 31, "Paris" | June 1778 | Paris |
304 | 300c | Sonata in E minor for Violin and Keyboard | Early summer 1778 | Paris |
310 | 300d | Sonata in A minor for Keyboard (Piano Sonata No. 8) | Summer 1778 | Paris |
306 | 300l | Sonata in D for Violin and Keyboard | Summer 1778 | Paris |
316 | 300b | Recitative and Aria for Soprano, "Popoli di Tessaglia" | July 1778 | Paris |
264 | 315d | 9 Variations in C on "Lison dormait" | Late summer 1778 | Paris |
365 | 316a | Concerto in E-flat for Two Pianos, No. 10 | 1779 | Salzburg |
364 | 320d | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major | 1779 | Salzburg |
321 | 321 | Vesperae de Dominica in C | 1779 | Salzburg |
276 | 321b | Regina Coeli in C | c. 1779 | Salzburg? |
345 | 336a | Choruses and Entr'actes for Thamos, König in Ägypten | 1779 | Salzburg |
378 | 317d | Sonata in B-flat for Violin and Keyboard | Early 1779 or 1781 | Salzburg or Vienna |
329 | 317a | Church Sonata in C | c. March 1779 | Salzburg |
328 | 317c | Church Sonata in C | c. early 1779 | Salzburg |
317 | 317 | "Coronation Mass" in C major | 23 March 1779 | Salzburg |
146 | 317b | Aria for Soprano in B-flat, "Kommet her, ihr frechen Sünder" | c. March – April 1779 | Salzburg |
318 | 318 | Symphony in G, No. 32 | 26 April 1779 | Salzburg |
319 | 319 | Symphony in B-flat, No. 33 | 9 July 1779 | Salzburg |
335 | 320a | Two marches in D | August 1779 | Salzburg |
320 | 320 | Serenade in D, "Posthorn" | 3 August 1779 | Salzburg |
315 | 285e | Andante in C for Flute and Orchestra | c. 1779–1780 | Salzburg? |
334 | 320b | Divertimento in D | 1779–1780 | Salzburg |
344 | 336b | Zaide | 1779–1780 | Salzburg |
339 | 339 | Vesperae solennes de confessore in C | 1780 | Salzburg |
340 | 340 | Kyrie (lost; doubious) | 1780 | |
368 | 368 | Recitative and Aria for Soprano, "Ma che vi fece" | 1779–1780 | Salzburg |
224 | 241a | Church Sonata in F | Early 1780 | Salzburg |
225 | 241b | Church Sonata in A | Early 1780 | Salzburg |
336 | 336d | Church Sonata in C | March 1780 | Salzburg |
337 | 337 | Missa solemnis in C | March 1780 | Salzburg |
445 | 320c | March in D | Summer 1780 | Salzburg |
338 | 338 | Symphony in C, No. 34 | 29 August 1780 | Salzburg |
349 | 367a | Song, "Die Zufriedenheit" | Winter 1780–1781 | Munich |
351 | 367b | Song, "Komm, liebe Zither" | Winter 1780–1781 | Munich |
562a | Canon in B-flat for 4 voices in 1 | ?1780s | Vienna? | |
Anh. 191 | 562c | Canon in C for 4 voices in 1 | c. 1780s | Vienna? |
330 | 300h | Sonata in C for Keyboard (Piano Sonata No. 10) | 1781–1783 | Munich or Vienna |
331 | 300i | Sonata in A for Keyboard (Piano Sonata No. 11) | 1781–1783 | Munich or Vienna |
332 | 300k | Sonata in F for Keyboard (Piano Sonata No. 12) | 1781–1783 | Munich or Vienna |
361 | 370a | Serenade No. 10 for winds in B-flat major, "Gran Partita" | 1781 only, or until 1784 | Vienna |
366 | 366 | Idomeneo, re di Creta | 29 January 1781 | Salzburg and Munich |
367 | 367 | Ballet for Idomeneo | 29 January 1781 | Salzburg and Munich |
341 | 368a | Kyrie in D minor | c. November 1780 – March 1781 | Munich? |
370 | 368b | Quartet in F for Oboe, Violin, Viola and Cello | Early 1781 | Munich |
369 | 369 | Recitative and Aria for Soprano, "Misera, dove son!" | 8 March 1781 | Munich |
371 | 371 | Rondo in E-flat for Horn | c. March 1781 | |
372 | 372 | Allegro in B-flat for Violin and Keyboard | 24 March 1781 | Vienna |
400 | 372a | Allegro in B-flat for Keyboard (incomplete; completed by M. Stadler) | 1781 | Vienna |
401 | 375e | Fugue in G minor for Keyboard (incomplete) | 1782 | Vienna |
379 | 373a | Sonata in G for Violin and Keyboard | April 1781 | Vienna |
374 | 374 | Recitative and Aria for Soprano, "A questo seno deh vieni" | April 1781 | Vienna |
373 | 373 | Rondo in C for Violin and Orchestra | 2 April 1781 | Vienna |
359 | 374a | 12 Variations in G on "La Bergère Célimène" (by Antoine Albanèse 1729/31-1800)[2] | June 1781 | Vienna |
360 | 374b | 6 Variations in G on "Hélas, j'ai perdu mon amant" (recte "Au bord d'une fontaine" by Antoine Albanèse)[3] |
June 1781 | Vienna |
352 | 374c | 8 Variations in F on "Dieu d'amour" from Les mariages samnites by André Grétry | June 1781 | Vienna |
376 | 374d | Sonata in F for Violin and Keyboard | Summer 1781 | Vienna |
377 | 374e | Sonata in F for Violin and Keyboard | Summer 1781 | Vienna |
380 | 374f | Sonata in E-flat for Violin and Keyboard | Summer 1781 | Vienna |
375 | 375 | Serenade in E-flat for Winds | October 1781 | Vienna |
448 | 375a | Sonata in D for Two Keyboards | November 1781 | Vienna |
Anh. 171 | 285b | Quartet in C major for Flute, Violin, Viola and Violoncello | 1781–1782 | Vienna? |
265 | 300e | Twelve Variations on "Ah vous dirai-je, Maman" | 1781–1782 | Vienna |
353 | 300f | 12 Variations in E-flat on "La belle Françoise" | 1781–1782 | Vienna |
392 | 340a | Song, "Verdankt sei es dem Glanz" | 1781–1782 | Vienna |
391 | 340b | Song, "An die Einsamkeit" | 1781–1782 | Vienna |
390 | 340c | Song, "An die Hoffnung" | 1781–1782 | Vienna |
363 | 363 | 3 Minuets | c. 1782–1783 | Vienna? |
386 | 386 | Rondo for Piano and Orchestra in A major | 1782–1783 | Vienna |
413 | 387a | Concerto in F for Piano, No. 11 | 1782–1783 | Vienna |
415 | 387b | Concerto in C for Piano, No. 13 | 1782–1783 | Vienna |
229 | 382a | Canon in C minor for 3 voices in 1 | c. 1782 | Vienna? |
230 | 382b | Canon in C minor for 2 voices in 1 | c. 1782 | Vienna? |
231 | 382c | Canon in B-flat for 6 voices in 1, "Leck mich im Arsch" | c. 1782 | Vienna? |
233 | 382d | Canon in B-flat for 3 voices in 1, "Leck mir den Arsch fein recht schön sauber" | c. 1782 | Vienna? |
234 | 382e | Canon in G for 3 voices in 1, "Bei der Hitz' im Sommer ess ich" | c. 1782 | Vienna? |
347 | 382f | Canon in D for 6 voices in 1 | c. 1782 | Vienna? |
348 | 382g | Canon in G for 12 voices in 3, "V'amo di core teneramente" | c. 1782 | Vienna? |
119 | 382h | Aria for Soprano, "Der Liebe himmlisches Gefühl" | c. 1782 | Vienna? |
397 | 397 | Fantasia No. 3 for Piano in D minor | 1782 | Vienna |
408a | 383e | March in C | 1782 | Vienna |
408c | 383F | March in C | 1782 | Vienna |
408b | 385a | March in D | 1782 | Vienna |
414 | 385p | Concerto in A for Piano, No. 12 | 1782 | Vienna |
404a | Arrangements of 6 Preludes and Fugues by J.S. and W.F. Bach | 1782 | Vienna | |
405 | 405 | Arrangements of 5 Fugues by J.S. Bach | 1782 | Vienna |
394 | 383a | Prelude and Fugue in C for Keyboard | Early 1782 | Vienna |
399 | 385i | Suite in C for Keyboard (Overture, Allemande, Courante, & incomplete Sarabande) | Early 1782 | Vienna |
382 | 382 | Rondo for Piano and Orchestra in D major | March 1782 | Vienna |
383 | 383 | Aria for Soprano, "Nehmt meinen Dank, ihr holden Gönner!" | 10 April 10 1782 | Vienna |
409 | 383f | Symphonic Minuet in C | ?May 1782 | Vienna? |
388 | 384a | Serenade in C minor for Winds (later arranged as K. 406/516b) | ?July 1782 or late 1783 | Vienna |
385 | 385 | Symphony in D, No. 35, "Haffner" | July 1782 | Vienna |
384 | 384 | Die Entführung aus dem Serail | 16 July 1782 | Vienna |
393 | 385b | Solfeggios for Voice | c. August 1782 | Vienna |
407 | 386c | Quintet for Horn and Strings in E-flat | End 1782 | Vienna |
Anh. 25 | 386d | O Calpe! Dir donnert's am Fusse (Gibraltar) | December 1782 | Vienna |
387 | 387 | Quartet in G for Strings, "Spring" | 31 December 1782 | Vienna |
435 | 416b | Aria for Tenor, "Mußt' ich auch durch tausend Drachen" | c. 1783 | Vienna? |
432 | 421a | Recitative and Aria for Bass, "Così dunque tradisci" | c. 1783 | Vienna? |
433 | 416c | Aria for bass and orchestra (sketch), "Männer suchen stets zu naschen" | c. 1783 | Vienna? |
333 | 315c | Sonata in B-flat for Keyboard, "Linz" (Piano Sonata No. 13) | 1783–1784 | Linz and Vienna |
436 | 436 | Notturno for Two Sopranos and Bass, "Ecco quel fiero" | c. 1783–1786 | Vienna? |
437 | 437 | Notturno for Two Sopranos and Bass, "Mi lagnerò tacendo" | c. 1783–1786 | Vienna? |
438 | 438 | Notturno for Two Sopranos and Bass, "Se lontan" | c. 1783–1786 | Vienna? |
439 | 439 | Notturno for Two Sopranos and Bass, "Due pupille" | c. 1783–1786 | Vienna? |
346 | 439a | Notturno for Two Sopranos and Bass, "Luci care, luci belle" | c. 1783–1786 | Vienna? |
439b | 5 Divertimenti in B-flat | c. 1783 or later | Vienna | |
441 | 441 | Trio for Soprano, Tenor and Bass, "Liebes Mandel, wo is's Bandel?" | c. 1783 | Vienna |
441b | Anh. C9.03 | Canon for two voices, "Beym Arsch ist’s finster" | 1783 | Vienna |
416 | 416 | Scena and Rondo for Soprano, "Mia speranza adorata" | 8 January 1783 | Vienna |
398 | 416e | 6 Variations on "Salve tu, Domine" | March 1783 | Vienna |
417 | 417 | Concerto in E-flat for Horn | 27 May 1783 | Vienna |
421 | 417b | Quartet in D minor for Strings | June 1783 | Vienna |
178 | 417e | Aria for Soprano, "Ah, spiegarti, oh Dio" | c. June 1783 | Vienna? |
419 | 419 | Aria for Soprano, "No, no, che non sei capace" | June 1783 | Vienna |
423 | 423 | Duo in G for Violin and Viola | c. summer 1783 | Salzburg? |
424 | 424 | Duo in B-flat for Violin and Viola | c. summer 1783 | Salzburg? |
418 | 418 | Aria for Soprano, "Vorrei spiegarvi, oh Dio!" | 20 June 1783 | Vienna |
420 | 420 | Aria for Tenor, "Per pietà, non ricercate" | 21 June 1783 | Vienna |
428 | 421b | Quartet in E-flat for Strings | June – July 1783 | Vienna |
427 | 417a | Great Mass in C minor | July 1782 – October 1783 | Vienna |
429 | 468a | Cantata, "Dir, Seele des Weltalls" (fragment) | 1783 | Vienna |
422 | 422 | L'oca del Cairo | Late 1783 | Salzburg and Vienna |
430 | 424a | Lo sposo deluso | Late 1783 | Salzburg and Vienna |
425 | 425 | Symphony in C, No. 36, "Linz" | October – November 1783 | Linz |
431 | 425b | Recitative and Aria for Tenor, "Misero! O sogno!" | December 1783 | Vienna? |
426 | 426 | Fugue in C minor for Two Keyboards | 29 December 1783 | Vienna |
444 | 425a | Introduction in G to Symphony No. 25 by Michael Haydn | Late 1783 or 1784 | Vienna |
447 | 447 | Concerto for Horn in E-flat | c. 1784–1787 | Vienna |
453a | Funeral March in C minor for Keyboard | 1784 | Vienna | |
461 | 448a | 6 Minuets | Early 1784 | Vienna |
462 | 448b | 6 Contredanses | January 1784 | Vienna |
463 | 448c | 2 Minuets with Contredanses | Early 1784 | Vienna |
449 | 449 | Concerto in E-flat for Piano, No. 14, "First Ployer" | 9 February 1784 | Vienna |
450 | 450 | Concerto in B-flat for Piano, No. 15 | 15 March 1784 | Vienna |
451 | 451 | Concerto in D for Piano, No. 16 | 22 March 1784 | Vienna |
452 | 452 | Quintet in E-flat for Piano and Winds | 30 March 1784 | Vienna |
453 | 453 | Concerto in G for Piano, No. 17, "Second Ployer" | 12 April 1784 | Vienna |
453b | Exercise Book for Barbara Ployer | |||
454 | 454 | Sonata in B-flat for Violin and Keyboard, for Regina Strinasacchi | 21 April 1784 | Vienna |
460 | 454a | 8 Variations on "Come un agnello" | c. June 1784 | Vienna |
455 | 455 | 10 Variations in G on "Unser dummer Pöbel meint" | 25 August 1784 | Vienna |
456 | 456 | Concerto in B-flat for Piano, No. 18, "Paradis" | 30 September 1784 | Vienna |
457 | 457 | Sonata in C minor for Keyboard (Piano Sonata No. 14) | 14 October 1784 | Vienna |
458 | 458 | Quartet in B-flat for Strings, "Hunt" | 9 November 1784 | Vienna |
459 | 459 | Concerto in F for Piano, No. 19 | 11 December 1784 | Vienna |
410 | 484d | Adagio in F for Two Basset Horns and Bassoon | c. end 1785 | Vienna? |
506a | Studies for Thomas Attwood | 1785–1786 | Vienna | |
464 | 464 | Quartet in A for Strings | 10 January 1785 | Vienna |
465 | 465 | Quartet in C for Strings, "Dissonant" | 14 January 1785 | Vienna |
466 | 466 | Concerto in D minor for Piano, No. 20 | 10 February 1785 | Vienna |
469 | 469 | Davide penitente | 13 March 1785 | Vienna |
467 | 467 | Concerto in C for Piano, No. 21 | 9 March 1785 | Vienna |
468 | 468 | Song, "Lied zur Gesellenreise" | 26 March 1785 | Vienna |
470 | Andante to a Violin Concerto of Viotti (lost) | 1785 | Vienna | |
470a | Instrumentation for a Concerto for Violin by G.B. Viotti | April 1785 | Vienna | |
471 | 471 | Cantata, Die Mauererfreude | 20 April 1785 | Vienna |
472 | 472 | Song, "Der Zauberer" | 7 May 1785 | Vienna |
473 | 473 | Song, "Die Zufriedenheit" | 7 May 1785 | Vienna |
474 | 474 | Song, "Die betrogene Welt" | 7 May 1785 | Vienna |
475 | 475 | Fantasia for Piano in C minor | 20 May 1785 | Vienna |
476 | 476 | Song, "Das Veilchen" | 8 June 1785 | Vienna |
478 | 478 | Quartet in G minor for Piano and Strings | 16 October 1785 | Vienna |
477 | 479a | Maurerische Trauermusik (Masonic Funeral Music) | November 1785 | Vienna |
479 | 479 | Quartet for Soprano, Tenor and Two Basses, "Dite almeno" | 5 November 1785 | Vienna |
480 | 480 | Trio for Soprano, Tenor and Bass, "Mandina amabile" | 21 November 1785 | Vienna |
434 | 480b | Aria for tenor, 2 basses and orchestra, "Del gran regno delle amazzone" | end 1785 | Vienna |
483 | 483 | Song with chorus, "Zerfließet heut" | End 1785 | Vienna |
484 | 484 | Song with chorus, "Ihr unsre neuen Leiter" | End 1785 | Vienna |
411 | 484a | Adagio in B-flat for Two Clarinets and Three Basset Horns | c. end 1785 | Vienna? |
506 | 506 | Song, "Lied der Freiheit" | c. end 1785 | Vienna |
481 | 481 | Sonata in E-flat for Violin and Keyboard | 12 December 1785 | Vienna |
482 | 482 | Concerto in E-flat for Piano, No. 22 | 16 December 1785 | Vienna |
355 | 576b | Minuet in D for Keyboard | c. 1786–1787 | Vienna |
485 | 485 | Rondo in D for Keyboard | 10 January 1786 | Vienna |
486 | 486 | Der Schauspieldirektor | 7 February 1786 | Vienna |
488 | 488 | Concerto in A for Piano, No. 23 | 2 March 1786 | Vienna |
489 | 489 | Duet for Soprano and Tenor, "Spiegarti no poss'io" | 10 March 1786 | Vienna |
490 | 490 | Scena and Rondo for Soprano and Tenor, "Non più. Tutto ascoltai...Non temer, amato bene" | 10 March 1786 | Vienna |
491 | 491 | Concerto in C minor for Piano, No. 24 | 24 March 1786 | Vienna |
492 | 492 | Le nozze di Figaro | 1 May 1786 | Vienna |
493 | 493 | Quartet for Piano and Strings in E-flat | 3 June 1786 | Vienna |
507 | 507 | Canon in F for 3 voices in 1 | After 3 June 1786 | Vienna |
508 | 508 | Canon in F for 3 voices in 1 | After 3 June 1786 | Vienna |
508A | Canon in C for 3 voices in 1 | After 3 June 1786 | Vienna | |
508a | 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1 | After 3 June 1786 | Vienna | |
494 | 494 | Rondo in F for Keyboard | 10 June 1786 | Vienna |
495 | 495 | Concerto in E-flat for Horn | 26 June 1786 | Vienna |
496 | 496 | Trio in G for Piano, Violin and Cello | 8 July 1786 | Vienna |
487 | 496a | 12 Duos for Basset Horns | 27 July 1786 | Vienna |
497 | 497 | Sonata in F for Keyboard Four-Hands | 1 August 1786 | Vienna |
498 | 498 | Trio in E-flat for Piano, Clarinet and Viola, "Kegelstatt" | 5 August 1786 | Vienna |
499 | 499 | Quartet in D for Strings, "Hoffmeister" | 19 August 1786 | Vienna |
500 | 500 | 12 Variations in B-flat | 12 September 1786 | Vienna |
501 | 501 | 5 Variations in G | 4 November 1786 | Vienna |
502 | 502 | Trio in B-flat for Piano, Violin and Cello | 18 November 1786 | Vienna |
503 | 503 | Concerto in C for Piano, No. 25 | 4 December 1786 | Vienna |
504 | 504 | Symphony in D, No. 38, "Prague" | 6 December 1786 | Vienna |
505 | 505 | Scena and Rondo for Soprano, "Ch'io mi scordi di te?" | 26 December 1786 | Vienna |
298 | 298 | Quartet for Flute, Violin, Viola and Cello in A major | 1786–1787 | Vienna |
516f | Musikalisches Würfelspiel in C | 1787 | Vienna | |
343 | 336c | 2 German Hymns | c. early 1787 | Prague or Vienna |
509 | 509 | 6 German Dances | 6 February 1787 | Prague |
511 | 511 | Rondo for Piano in A minor | 11 March 1787 | Vienna |
512 | 512 | Recitative and Aria for Bass, "Alcandro, lo confesso" | 19 March 1787 | Vienna |
513 | 513 | Aria for Bass, "Mentre ti lascio" | 23 March 1787 | Vienna |
515 | 515 | Quintet in C for Strings | 19 April 1787 | Vienna |
228 | 515b | Double Canon in F for 4 voices in 2 | 24 April 1787 | Vienna |
516 | 516 | Quintet for Strings in G minor | 16 May 1787 | Vienna |
517 | 517 | Song, "Die Alte" | 18 May 1787 | Vienna |
518 | 518 | Song, "Die Verschweigung" | 20 May 1787 | Vienna |
519 | 519 | Song, "Das Lied der Trennung" | 23 May 1787 | Vienna |
520 | 520 | Song, "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" | 25 May 1787 | Vienna |
521 | 521 | Sonata in C for Keyboard Four-Hands | 29 May 1787 | Vienna |
522 | 522 | Ein musikalischer Spaß | 14 June 1787 | Vienna |
523 | 523 | Song, "Abendempfindung" | 24 June 1787 | Vienna |
524 | 524 | Song, "An Chloe" | 24 June 1787 | Vienna |
232 | 509a | Canon in G for 4 voices in 1, "Lieber Freistadtler, lieber Gaulimauli" | After 4 July 1787 | Vienna |
525 | 525 | Eine kleine Nachtmusik | 10 August 1787 | Vienna |
526 | 526 | Sonata in A for Violin and Keyboard | 24 August 1787 | Vienna |
527 | 527 | Don Giovanni | 28 October 1787 | Prague |
528 | 528 | Scena for Soprano, "Bella mia fiamma" | 3 November 1787 | Prague |
529 | 529 | Song, "Des kleinen Friedrichs Geburtstag" | 6 November 1787 | Prague |
530 | 530 | Song, "Das Traumbild" | 6 November 1787 | Prague |
531 | 531 | Song, "Die kleine Spinnerin" | 11 December 1787 | Vienna |
532 | 532 | Grazie agl'inganni tuoi (La Libertà a Nice), Sketch/fragment for a vocal trio and instruments |
1787 | Vienna |
406 | 516b | Quintet in C minor for Strings (arrangement of K. 388/384a) | 1788 | Vienna |
535a | 3 Contredanses | c. early 1788 | Vienna | |
533 | 533 | Allegro and Andante in F for Keyboard (Sonata No. 15) | 3 January 1788 | Vienna |
534 | 534 | Contredanse, "Das Donnerwetter" | 14 January 1788 | Vienna |
535 | 535 | Contredanse, "La Bataille" | 23 January 1788 | Vienna |
536 | 536 | 6 German Dances | 27 January 1788 | Vienna |
537d | Arrangement of Aria for Tenor by Carl Philipp Emanuel Bach | February 1788 | Vienna | |
537 | 537 | Concerto in D for Piano, No. 26 ("Coronation") | 24 February 1788 | Vienna |
538 | 538 | Aria for Soprano, "Ah se in ciel" | 4 March 1788 | Vienna |
539 | 539 | Song, "Ein deutsches Kriegslied" | 5 March 1788 | Vienna |
540 | 540 | Adagio in B minor for Piano | 19 March 1788 | Vienna |
540a | Aria for Tenor, "Dalla sua pace" | 24 April 1788 | Vienna | |
540b | Duet for Soprano and Bass, "Per queste tue manine" | 28 April 1788 | Vienna | |
540c | Recitative and Aria for Soprano, "In quali eccessi … Mi tradì quell'alma ingrata" | 30 April 1788 | Vienna | |
541 | 541 | Arietta for Bass, "Un bacio di mano" | May 1788 | Vienna |
Anh. 135 | 547a | Piano Sonata in F major | c. summer 1788 | Vienna? |
545 | 545 | Sonata for Keyboard in C, Facile or Semplice | 26 June 1788 | Vienna |
542 | 542 | Trio in E for Piano, Violin and Cello | 22 June 1788 | Vienna |
543 | 543 | Symphony in E-flat, No. 39 | 26 June 1788 | Vienna |
544 | 544 | March in D "Ein kleiner Marsch" (lost) | 1788 | Vienna |
546 | 546 | Adagio and Fugue in C minor | 26 June 1788 | Vienna |
54 | 547b | 5 (6?) Variations in F for Piano | July 1788 | Vienna |
547 | 547 | Sonata in F for Violin and Keyboard | 10 July 1788 | Vienna |
548 | 548 | Trio in C for Piano, Violin and Cello | 14 July 1788 | Vienna |
549 | 549 | Canzonetta for two Sopranos and Bass, "Piu non si trovano" | 16 July 1788 | Vienna? |
550 | 550 | Symphony in G minor, No. 40 | 25 July 1788 | Vienna |
551 | 551 | Symphony in C, No. 41, "Jupiter" | 10 August 1788 | Vienna |
552 | 552 | Song, "Beim Auszug in das Feld" | 11 August 1788 | Vienna |
553 | 553 | Canon in C for 3 voices in 1, "Alleluia" | 2 September 1788 | Vienna |
554 | 554 | Canon in F for 4 voices in 1, "Ave Maria" | 2 September 1788 | Vienna |
555 | 555 | Canon in A minor for 4 voices in 1, "Lacrimoso" | 2 September 1788 | Vienna |
556 | 556 | Canon in G for 4 voices in 1, "G'rechtelt's enk" | 2 September 1788 | Vienna |
557 | 557 | Canon in F minor or 4 voices in 1, "Nascoso e il mio sol" | 2 September 1788 | Vienna |
558 | 558 | Canon in B-flat for 4 voices in 1, "Gehen wir im Prater" | 2 September 1788 | Vienna |
559 | 559 | Canon in F for 3 voices in 1, "Difficile lectu mihi Mars" | 2 September 1788 | Vienna |
560a | 559a | Canon in F for 4 voices in 1, "O du eselhafter Peierl" | 2 September 1788 | Vienna |
560b | 560 | Canon in F for 4 voices in 1, "O du eselhafter Martin" | 2 September 1788 | Vienna |
561 | 561 | Canon in A for 4 voices in 1, "Bona nox! bist a rechta Ox" | 2 September 1788 | Vienna |
562 | 562 | Canon in A for 3 voices in 1, "Caro bell'idol mio" | 2 September 1788 | Vienna |
563 | 563 | Divertimento in E flat (Trio in E-flat) | 27 September 1788 | Vienna |
564 | 564 | Trio for Piano, Violin and Cello in G | 27 October 1788 | Vienna |
566 | 566 | Arrangement of Handel's Acis und Galathea | November 1788 | Vienna |
567 | 567 | 6 German Dances | 6 December 1788 | Vienna |
568 | 568 | 12 Minuets | 24 December 1788 | Vienna |
569 | 569 | Aria "Ohne Zwang" (lost) | 1789 | Vienna |
Anh. 5 | 571a | Quartet for Soprano, two Tenors and Bass, "Caro mio Druck und Schluck" | c. 1789 | Vienna? |
570 | 570 | Sonata in B-flat for Keyboard | February 1789 | Vienna |
571 | 571 | 6 German Dances for Orchestra | 21 February 1789 | Vienna |
572 | 572 | Arrangement of Handel's Messiah | March 1789 | Vienna |
573 | 573 | 9 Variations in D | 29 April 1789 | Potsdam |
574 | 574 | Kleine Gigue in G for Keyboard | 16 May 1789 | Leipzig |
575 | 575 | String Quartet No. 21 in D major, first of the three "Prussian Quartets" | June 1789 | Vienna |
576 | 576 | Sonata in D for Keyboard | July 1789 | Vienna |
577 | 577 | Rondo for Soprano, "Al desio, di chi t'adora" | July 1789 | Vienna |
578 | 578 | Aria for Soprano, "Alma grande e nobil core" | August 1789 | Vienna |
579 | 579 | Aria for Soprano, "Un moto di gioia mi sento" | August 1789 | Vienna |
580 | 580 | Aria for Soprano, "Schon lacht der holde Frühling" | 17 September 1789 | Vienna |
581 | 581 | Quintet for Clarinet and Strings in A | 29 September 1789 | Vienna |
582 | 582 | Aria for Soprano, "Chi sà, chi sà, qual sia" | October 1789 | Vienna |
583 | 583 | Aria for Soprano, "Vado, ma dove? -- oh Dei!" | October 1789 | Vienna |
584 | 584 | Aria for Bass, "Rivolgete a lui lo sguardo" | December 1789 | Vienna |
585 | 585 | 12 Minuets | December 1789 | Vienna |
586 | 586 | 12 German Dances | December 1789 | Vienna |
587 | 587 | Contredanse in C, "Der Sieg vom Helden Koburg" | December 1789 | Vienna |
236 | 588b | Andantino in E-flat for Keyboard | c. 1790 | Vienna |
106 | 588a | Overture and 3 Contredanses | January 1790 | Vienna |
588 | 588 | Così fan tutte | 26 January 1790 | Vienna |
589 | 589 | String Quartet No. 22 in B-flat, second of three "Prussian Quartets" | May 1790 | Vienna |
590 | 590 | String Quartet No. 23 in F, third of the three "Prussian Quartets" | June 1790 | Vienna |
591 | 591 | Arrangement of Handel's Alexander's Feast | July 1790 | Vienna |
592 | 592 | Arrangement of Handel's Ode to Saint Cæcelia | July 1790 | Vienna |
625 | 592a | Comical Duet for Soprano and Bass, "Nun, liebes Weibchen" | August 1790 | |
593 | 593 | Quintet in D for Strings | December 1790 | Vienna |
594 | 594 | Adagio and Allegro in F minor for a Mechanical Organ | October – December 1790 | Vienna and ? |
412/514 | 386b | Concerto for Horn in D | 1791 | Vienna |
609 | 609 | 5 Contredanses | 1791 | Vienna |
595 | 595 | Concerto in B-flat for Piano, No. 27 | c. 1787–91 dated: 5 January 1791 | Vienna |
596 | 596 | Song, "Sehnsucht nach dem Frühling" | 14 January 1791 | Vienna |
597 | 597 | Song, "Im Frülingsanfang" | 14 January 1791 | Vienna |
598 | 598 | Song, "Das Kinderspiel" | 14 January 1791 | Vienna |
599 | 599 | 6 Minuets | 23 January 1791 | Vienna |
600 | 600 | 6 German Dances | 29 January 1791 | Vienna |
601 | 601 | 4 Minuets | 5 February 1791 | Vienna |
602 | 602 | 4 German Dances | 5 February 1791 | Vienna |
603 | 603 | 2 Contredanses | 5 February 1791 | Vienna |
604 | 604 | 2 Minuets | 12 February 1791 | Vienna |
605 | 605 | 3 German Dances | 12 February 1791 | Vienna |
607 | 605a | Contredanse, "Il Trionfo delle Donne" | 28 February 1791 | Vienna |
606 | 606 | 6 "Landler" | 28 February 1791 | Vienna |
613 | 613 | 8 Variations in F on "Ein Weib ist das herrlichste Ding" | March 1791 | Vienna |
608 | 608 | Fantasia in F minor for a Mechanical Organ | 3 March 1791 | Vienna |
610 | 610 | Contredanse, "Les filles malicieuses" | 6 March 1791 | Vienna |
611 | 611 | German Dance | 6 March 1791 | Vienna |
612 | 612 | Aria for Bass, "Per questa bella mano" | 8 March 1791 | Vienna |
614 | 614 | Quintet in E-flat for Strings | 12 April 1791 | Vienna |
615 | 615 | Chorus "Viviamo felici" (lost) | 1791 | Vienna |
616 | 616 | Andante in F for a Small Mechanical Organ | 4 May 1791 | Vienna |
617 | 617 | Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello | 23 May 1791 | Vienna |
356 | 617a | Adagio in C for Glass Harmonica | 1791 | Vienna |
618 | 618 | Motet in D, "Ave verum Corpus" | 17 June 1791 | Baden |
619 | 619 | Cantata, "Die ihr des unermeßlichen Weltalls" | July 1791 | Vienna |
Anh. 78 | 620b | Contrapuntal Study | c. September 1791 | Vienna |
Anh. 245 | 621a | Aria for Bass, "Io ti lascio, o cara, addio" | c. September 1791 | Prague? |
621 | 621 | La clemenza di Tito | 6 September 1791 | Prague |
620 | 620 | Die Zauberflöte | 30 September 1791 | Vienna |
622 | 622 | Concerto in A for Clarinet | October 1791 | Vienna |
623 | 623 | Freimaurerkantate | 15 November 1791 | Vienna |
624 | 626a | Cadenzas for Piano Concertos | ||
626 | 626 | Requiem in D minor | Late 1791 | Vienna |
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